Photography Archives - Page 11 of 30 - Marco Garcia Photography

“ITS ABOUT DAMN TIME!”

Oh how tide does change. I never would have figured my hometown newspaper would call me to do a freelance gig for them. Out of the blue (brah!) Kevin from the San Antonio Express News calls me inquiring on my availability for a quick job the next day. His southern drawl caught me off guard warming me with memories of family, BBQ, and those spring days only found in San Antonio. I quickly jumped at the job and proceeded to tell him of my sorted past with the SAEN and my time shooting for their community newspapers. Sadly, he said, The Sun is no more.

I wrote a while back about my humble beginnings and shooting for the community newspaper ($25 per assignment!) so to get a job from the actual newspaper took me back to my days of desire…days of longing for a staff job at the only reality I knew at that time. In little ol’ San Antone! Leaving to NYC was a distant dream and to think I’d end up in Honolulu was unheard of! I mean only Magnum, Danno and surfers lived in Hawaii, not me.

Kevin and I had a few chuckles as I told him I’d been sitting by the phone for the last 20 years waiting for the Express to finally call.

The job was to cover the change of command ceremony at one of the military base’s where San Antonio native U.S. Coast Guard Rear Admiral Jim Rendon would take over the top position here in Hawaii. The story can be seen here. The ceremony was the usual ho hum of long speeches, a little pomp and some circumstance all topped off with a brass band playing all the old favorites! At the end I grabbed Adm. Rendon, his wife and his parents and posed them for a really informal picture for the paper. After a few snapped, I told they they were all in Hawaii and I needed to see some “shakas.” Sure enough….

and the smiles they produce!

At the end I told the Rendon’s there isn’t much Mexican food on Hawaii but she countered it would all be made in her kitchen. Sadly as the job was over and I drove away, I realized I should have given her my number. Ah the missed opportunities of home cooking!

Walk all over me!

A few weeks ago, an email appeared in my inbox with the opening lines…

“Hello Marco,

I came across your website whilst I was looking for images of the sea.”

Ah…how much more romantic could that be? …looking for images of the sea. I started to hum an old Cure song and was whist away to years gone by where the sand and sea were more than a sunburn. Not that killing arabs would be much fun but it was the lyrics that took me back to my youth. All from a woman asking me if I had images of the sea.

Being my usual suspicious self, I came close to ignoring the email as I hate doing free stock research but her request was too specific. They were looking for shots of the ocean so they could use as a composite for a larger project they were working on.

Michelle from Printed Space Ltd, a company based in England, further explained they wanted blue water ocean shots as they were designing an ocean- theme print to be placed on a floor of a private home somewhere in Great Brittan. How intriguing. To hear the pitter-patter of a young lad on my silent image of the ocean. To see a dirty soccer jersey (ooops football kit) in one corner and a PS3 in the other, oh the dream.

Michelle and her design team had most of the other elements which make up the ocean but didn’t have, I would say, the sandwich to hold all the stuff inside. The comp they sent seems to show my ocean shot holding the sharks, reef, and snorkelers all together. Its a very impressive design and I’m excited to have contributed my work to the design. Now only to put my feet down on the actual floor plan…now that’s the challenge.

To be honest, I’d never would have thought to have a floor plan as such. I could only imagine stumbling home one evening only to find myself drowning in something other than my own sorrow. I clearly would never wake up or if I did, might I have the need to rename myself Jonah?

The image they liked was from my helicopter series over the Big island a few months ago.

My image was a complete outtake…but you never know when one’s outtake is someone else spot on image. No?

“Hey kid! Wipe your dirty feet!”

Aulani Magazine

A few weeks ago, I shot a great story on Paulette Kahakepuna, a Hawaiian lei maker who makes Lei Hulu, or feather leis, worn only by Hawaiian royalty. Using mostly natural feathers and materials, Kahakepuna wove amazing leis and tales of her work and seeing some pieces she’s made, its easy to understand why some would be considered priceless.

You can see the story and magazine here starting pm page 16. The link is to Oahu Publications on line magazine where you can page through the actual mag online. Alternatively, you can stay at the Aluani, if you have the bucks.

I must say, I was super impressed the photo editor was able to pick out the first image as a cover. It surprised me as I just didn’t expect it nor see it in my edit. Clearly a nice piece of photo editing.

III

I hate the Canon 5D Mark II. I hated mine copy so much I sold mine within weeks of purchasing it. Not because it busted while on assignment in Nara, Japan. Not because it didn’t make some amazing shots because it did. I hated it because of the handling. I hated the feel of the body. I hated the focus points. I really hated the focal points. But in reality, I hated it because to me, it wasn’t a 1D series camera. I purchased it as a back up to my full frame Canon 1Ds Mark II body. Canon’s 1Ds Mark III body didn’t match up to my expectations and I figured why bother doing an expensive upgrade when the gains were so little. But I sadly found the 5D was a fancy toy that non professionals used, not something serious pros would consider as a primary camera. (Just another GWC uttered in disgust as a wannabe wandered over to work next to us with a 5D.)

Yet, 5Ds were flying off the rental shelves at Hawaii Photo Rental. Major photographers were using the camera to make amazing stuff. TV shows and movies were being made with it. I made a timeless shot in Kyoto with the camera. The 5D Mark II can take some pretty amazing pictures and videos!

Maiko in Kyoto, Japan with a 5D MII

I know so many people who use it as their primary and love it. There are thousands of photographers and cinematographers who use it and do amazing work with it. But for me, a rough-and-tumble kinda photographer who uses a t-shirt to clean his lenses, the 5D Mark II is and was a toy. Mind you, so many pros, from White House photographers to travel-in-the-jungle photogs use and love it.

I didn’t.

Low and behold, Canon released the new Canon 5D Mark III with some major improvements. As I’m faced with upgrading my 1Ds Mark II (this is a whole different story…the Mark II is amazing…at times it feels like there is enough flaws within technology that its like shooting film…you get organic-ism, not perfect-ism.)

So thanks to Josh and the crew at Hawaii Photo Rental, I had the chance to test drive and review the new Canon 5D Mark III for the shop. What made it more exciting was I was going to lunch with two amazing photogs, Eugene Tanner, AP and commercial guy, and Jamm Aquino, full time bad ass staffer at the Star Advertiser. I pitched my review idea to Josh and he liked the idea that he’d here from three professional opinions on the newest Canon camera.

I picked it up from Austin and Natalie (and Christine) at Hawaii Photo Rental and immediately, I felt the camera was built a thousand times better than the 5D Mark II. Natalie quickly pointed out how the flash card door was now lined with a piece of “leather” making it harder for the card door to slip open. She, and Austin, noted the seals, feel, and design of the body stating Canon must have listened to pros and made major improvements. The selection dial on the left of the body now has a lock to keep your settings in place. That feature alone was one of the better and noticeable upgrades that can make it a winner. The menus were updated and a bit complicated with numerous upgrades and features.

We rattled off the motor drive and it was fast for a prosumer camera. Its about 4.5 frames a second? Plenty of time to do moderate action. But the greatest thing about the camera as the increased focus points.

The 61 focus points ROCKED.

Oh what joy to see a camera where you can actually find focal points throughout the frame. The ability to move your focal points to almost any part of the camera gives the camera a major improvement in handling. This was the main Achilles tendon of the camera for me…along with it just feeling like a toy. The Mark II always reminded me of my first Canon digital camera, the 10D. Just a prosumer camera off the shelf.

So I walked out with the camera and went to meet Jamm and Tanner for lunch over at Murphy’s Bar and Grill in downtown HNL. We were having a late birthday lunch for Eugene but it was a celebration none the less as it was good cheer around. We passed the camera around and all took pictures and made pro comments on the feel, style, and responsiveness of the Mark III…all over burgers, fish and chips, and a few adult beverages.

Kramer by Tanner.

Jamm, being a bit snobby in the use of in his gear, said immediately it was a GWC camera but after playing with it for a few minutes, he changed his tune. I think all three of us are snobs with gear as we rely so much on our cameras to give us 110% all the time that its hard for us to “trust” a prosumer camera. But again, we were quickly proved wrong.

The handling, structure and feel of the camera was reasonably good and beyond our expectations. Eugene liked the fact the Mark III could easily fill the void a Canon Mark IV’ cropped sensor lacked. But as we started to feel out the camera further, we three quickly noted several shortcomings and issues…all in reference to professional standards, conditions, and situations. Immediately we all said the response was good but was it good enough, rather quick enough? I stuck my Canon 35mm f1.4 lens on the body and took it for a spin down Ft. Street Mall. I immediately felt it wasn’t responsive as a professional body. Both Jamm and Tanner said roughly the same thing. It doesn’t fire when you want it to. Jamm pointed out it was probably a custom feature but we just felt it didn’t snap when you snapped. Those instances when the decisive moment appears, you need a camera that will do what you tell it to do.

Knocked kneed on Fort St. with the Mark III

Now, we really only had this new tool for a short time and can’t really speak with any major authority about the camera and its functions but the responsiveness was noticeable. So it could have been the custom function in the menu. Knocked kneed was out of focus. I aimed, fired, and the camera didn’t catch it. There are so many quirks that we are not accounting for (my lens being out of tune, the camera settings, my lack of precision to catch the focus properly…there are numerous things to ask before I judge this scenario) but I would have expected some reasonable sharpness on the girl. Who knows. On the elevator in my building, I tried to sneak a few frames of one of the maintenance girls in our building and shoved the camera in her face. Wouldn’t fire. Nada. Again, I have to refer back to Jamm and the custom functions in the menu but alas, no book and no time to fuss with buttons. I feel strongly that if you gotta mess too much with the menus, etc…then you can’t take a picture. Fire away and deal with the after mass later.

Lunchtime Stella

The one noticeable and wonderful feature was the lack of noise in high iso. 25600 is ABSOLUTELY useable. Why you, the average user, would need to hit this high is beyond me but its absolutely useable. Butter as some would say…silky smooth as butter. The above shot of the lunchtime Stella was shot at 2000 iso. Clean. Amazingly clean. Like shooting at 640 0r 800 iso on an older body. Just simply amazing a prosumer body is capturing files like this.

Padded elevator rising to 32nd at 2500 iso with the Mark III.

Now the issues we all agreed upon was the focusing and the buffer were not 1D series standards. Does that matter? Should any of our shortcoming decision force you to spend $6700 over $3500 for a little bit faster focus and longer buffer (think renting for at least $150/day versus doing a three day rental from Hawaii Photo Rental at $185)? I think not. Most of you who have been renting from Hawaii Photo Rental have probably used a 5D Mark II and know its a fantastic camera. Whatever short coming I (we) found or you might have figured out shouldn’t discount it. Now with the new Canon 5D Mark III, the game shifts drastically and you can now rent a semi pro camera that works as close as to a professional 1D standard as you can get.

Deep thoughts with Tanner by Jamm and a Mark IV.

In reality, the 5D Mark III is a super camera. The fantasy world we live in in reference to long buffers, etc…also reflect a world where we sometimes don’t live. 90% of what I shoot could be done with an iPhone. The camera, priced a little too high (a strong demand and possibly a lack of production due to tsunami damaged factories or last year’s Thailand flooding) but it is a camera well worth its weight. To rent it is to see where you stand with it. Jamm, Eugene, and I all felt it was a superb camera but lacked just a little bit to make it a professional grade body. Now does it matter as I stated above? To 99% of you GWCs who are going to use it to shoot your dog, family or friends, absolutely not. To those of you who will rent to shoot a wedding or paid job? Absolutely not (maybe if you are picky) but no way if you’ve done well shooting with a 5D Mark II. For a picky pro, its a great tool and if you are a pro you will have to know your limitations like anything. If you are shooting a sporting event and your timing and focus mean the difference between a paycheck or going home empty handed, you’ll have to know your limitations with the tool. And again, its a tool. You can’t shoot an elephant with a bb gun, but how often do you get the chance to shoot an elephant? The high ISO range expands your horizons drastically. You can literally shoot in the dark now with little notice. I find that option fantastic. What a great new tool.

To note, I didn’t process any of the raw files as my version of Photoshop isn’t upgraded to open the new Mark III files and I couldn’t be bothered to deal with downloading it at this moment. But the damn jpgs files are so damn good, its almost as if you don’t even need to shoot raw. The files are amazing. This is a superb camera and well worth renting from Hawaii Photo Rental.

We three photographers did not do any technical testing. This is just talk over beer (and a whiskey) over the use of cameras, handling, and whatnot.

I highly recommend renting this fantastic camera from Hawaii Photo Rental. Its a really, really nice camera and its a huge improvement over the Mark II. Well worth the rental fees.

A hot dawg

I shot Yukako holding a hot dog in like 2005 or six. It was during our first trip back to NYC after moving to HNL. I can’t remember where we were but its late night and I had a wave of nostalgia. I guess it was from the recent March issues of Bazaar and Elle mags I found downstairs the other night. I paged through them looking at photo credits and didn’t recognize any of the new names in the magazines. Photo big shots like Burbridge, Meier, and McDean were all replaced by unknown names. Probably young guys with photoshop skills and computer visions.

Digital has opened the world to anyone who has a camera and a computer. So many people are creating work all over the world which was once only done by by a select few in New York. The once iconic names of photography are being knocked over by the masses. What attracted me to photography was the elitism of a small clan of professionals who set the bar high and limited those who could enter their ranks. Maybe not so much attracted me but more frustrated me as I sat on the fringe once as an assistant…hoping for that break to assist the elites. No amount of trying helped as it seemed more a trivial game based on whims and so and so’s. New York was good for that. Maybe I just didn’t know it at the time.

Feels like anyone with a camera now is a professional. The barrier is lower and the work is, I dare to say, improving. Indeed, but hints of banality creep off the pages as photoshop filters and plug ins are taking over where skill with lighting, cameras, and film once danced harmonically.

Everyone now is a hot dog. But are they tasty?