A fern

A fern

I few months ago I photographed, of all things, ferns and other succulents.  I, of course, treated my subjects like works of art and it was good enough for the photo editor to make this shot the cover of Halekulani Living, the in house magazine at the Halekulani Hotel in Waikiki.

Shooting flowers wasn’t  something I really though about or did but what fun it was.  The macro world is so unique and beautiful.  So many little curves, bumps, and life in flora.  A medium bank and 2400ws of power lit my little friend nicely.  I all the greenery at Paiko in Kakaako and they were very forgiving of all the time I took in their small little shop.

 

 

Los Angeles Times

Los Angeles Times

 

The Los Angeles Times hired me a few weeks ago to spend some time with Hawaii ukulele legend Eddie Kamae as they were to feature him for an upcoming travel piece to Honolulu.  As far as Hawaiian legends go, Eddie is on top of the list.  He might not be as famous as Don Ho, Bruddah Iz or for that matter Elvis when it comes to that distinct Hawaiian sound, but Eddie, along with band mate Gabby Pahinui, introduced traditional Hawaiian music to the world via the post war tourists flooding the Hawaiian Isles.  At the time, traditional Hawaiian music wasn’t played in the tourist districts as most local musicians catered to mainland musical tastes.  But once their band The Sons of Hawaii took off, the music found commercial footing which opened the door for Hawaiian music to be heard world wide.

The duality of my job had me creating a portrait of Eddie and then turning around to document Eddie’s Honolulu and the places that helped create the Hawaiian legend.  Development and time has erased some of the old town but lots remain such as the Hau Tree Lanai bar at the New Otani Kaimana Beach Hotel where he once played under the massive, century old tree in the 1970’s.  Kamaka Ukulele, which made a few of his ‘ukes, still cranks out hand made and custom instruments since 1916, and time seems to have stood still in some areas of Chinatown, Eddie’s childhood stomping grown where he hustled newspapers and fish he caught in Nuuanu Stream.

Making of portrait of him proved to be the most difficult because Eddie isn’t well known to follow directions.  He’s a legend.  You don’t make him do much of anything as he’ll do what he wants when he wants.  But with the prodding of his wife Myrna and their assistant, I got Eddie to the water’s edge at Waikiki Beach at sunset and made a magical shot of Eddie playing a few old standards on his “box.”  I knew I had a few minutes to get this done before his mid 80’s patience would wear and I’d have to plan another time to get him in front of my camera.

After our quick photo shoot, we retired to one of his daily spots at the Hilton Hawaiian Village to enjoy a few Kona brews, some pupus and listen to the young musicians play music for the tourists.  During our shoot, we had tourist coming around and listening to Eddie play.  No one really knew who he was but people knew he was important.  Eddie could still command a crowd as he crooned away.  A young Japanese girl stood and watched from the beach and probably would never remember she saw a famous ukulele player on her first trip to Hawaii.  Eddie doesn’t often play live any more so we got a rare and intimate concert.

Photographically speaking, I must point out a few tricks of the trade that I’ve gotten notice on.  Negative space is positive.  Shoot loose a photo editor once told me long ago and I took it to heart.  If you shoot too close, you don’t give an editor or a page layout person space to work with.  I knew to shoot Eddie with lots of space around him, especially head space on my verticals as there was a good chance it would be an opener.  I thought about text and headline space and and my in-camera framing worked.  Sometimes this approached is ignored as many photographers crop for themselves, not for the end product.  You can always crop or shoot tight on your own frames but once you take away negative space, you image can quickly turn negative.

Below are the pdf files from the times.  I have my opening shot on top mostly because the pdfs are so washed out.  The editor assured me the images were wonderful in the newspaper and on line.

 

 

TR.L.1.L1.LA.1.04-21-13.su.1.3.st.Q

 

TR.L.4.L4.LA.1.04-21-13.su.1.3.st.Q

Hawaiian Punch

Hawaiian Punch

A dream sort of came true…sort of…as I was hired by National Geographic Traveler to document Honolulu’s Chinatown.

As a kid I had a subscription to the famous yellow framed magazine and would be mesmerized by those faraway Kodachrome destinations.  I marveled at the beautifully bold color images of Africans in the bush, a village hidden from time in Italy, or a Japanese geisha putting on her makeup.  I learned how to see, and for that matter dream about being a photographer.  The magazines were my school books and inspiration for my future career.  The dream to be a professional photographer and take pictures seemed SO faraway and as a kid growing up in San Antonio, I never though I’d escape and see the world through my camera.

Well, I finally reached my goal and technically did shoot for the National Geographic Society but it was for their other publication.  I can’t complain as Traveler is a great magazine and I had hoped to shoot for anyhow.

Traveler page

The magazine had me shoot for their Neighborhood section.  I had about a week to shoot Chinatown and lucky enough it was during Chinese New Year’s so I was guaranteed dancing lions and fireworks along with the usual exotic sights…and smells.  I shot oddly shaped fruits, greasy ducks hanging on hooks, pigs heads, interesting people and places.  I live just blocks away from the Asian neighborhood so its very easy to not see whats going around you.  But when I take a camera out, Chinatown morphs into picture after picture.

I had to cover not just Chinatown but a few shops and restaurants around the neighborhood.  I photographed Jamm Aquino and his band Vejj at Bar 35, fashion designer Florencia Arias, dim sum at Legend Seafood, and ramen at Lucky Belly along with a few other spots.

Bar 35

I was slightly disappointed more pictures didn’t run but I got a great layout and full page.  The editors did promise more pictures on their iPad edition and possibly web so keep your eyes open for those images.

I’ll post more images to my facebook page so please have a look.

Fears of the world wide web.

Fears of the world wide web.

I noticed I had started this blog some time ago but never got around to finishing it…or for that matter starting it.

Technology Review Magazine hired me some time back to take a portrait of cyber security expert Jeremiah Grossman who, at that time, was based in Maui.  He so happen to be in Honolulu and I had a window of time to shoot a portrait photo of him.

Grossman, who founded White Hat Security, was a punk hacker who hacked Yahoo to show them their security flaws.  He went on to be hired on as one of their Security Officer before starting his own security firm.

Jeremiah, who showed up wearing a business type aloha shirt, hulked right up to me and my assistant, Jamm Aquino at the location.  He had that intense stare that looked right threw you scanning your brain for all your passwords and personal information.  After reading a bit about him, I learned he plays rugby and knows martial arts.  So if he couldn’t read your mind, he likely beat your passwords out of you one way or another.

I knew immediately I had to capture him in a dark and dangerous cyber world atmosphere; however, its hard to capture this in beautiful Honolulu with blue sky and sunshine. People don’t think of Hawaii as a dark place so my challenge was to create a moody scene.

I knew I had to get a few shots of him with the standard blue sky and what not.  But I had the idea to drag him into my dark parking garage and shoot him using the available florescent lights mixed with a bit of daylight.  I wish I had had a set of Kino Flos to really make my mood moodier but the overhead strip did its magic as did the odd shifts of daylight falling in the background.

I then dragged Jeremiah and Jamm down to an alley across the way and we shot him with a bare head and 7″ reflector on a Profoto 7B.  It always surprises me what editors pick as I tend to favor my choices but they hardly get picked.  The mag picked the safer shot of Grossman but I really wished they had gone with the garage shot.

What made the job really memorable was hearing the fears of hacking, the vulnerability of web browsers, and general chaos of the world wide web.  He told me of hacker groups in Eastern Europe stealing credit card numbers and making millions of dollars via holes in the internet.  I learned stories of internet security officers from big companies going to far away lands only to be run out by mafia and other assorted criminals because of the money involved in internet crimes.

Its quiet fascinating to learn that many web based corporations account for a certain percentage of uncontrollable fraud and loss into their business plans.  Although security is improving, nefarious groups and governments keep finding ways into stealing from the unaware.  What was most fascinating was finding out how these cyber security plans you can purchase are more like insurance policies where you are actually just paying a part of their premium for the protection…which in most cases is not really necessary.

The reality in my mind is it can happen to you but hardly likely you’ll end up stripped of everything.  It seems most consumer businesses already have security watching.  We got a call from our credit card one Saturday morning because of odd purchases made at Best Buy and the Apple Store which we didn’t make.  My mother found her credit card hacked as well not too long ago.  Chances are you’ll be hacked at some point vigilance can go along way.  Don’t respond to emails from the former Oil Minister of Kenya and don’t use your bank ATM card for anything on line.

Also, according to Jeremiah, don’t use the same browser to surf and do bank work.  Use separate browsers altogether.  Its likely you’ll get hacked at some point but you’re also likely to have your house broken into (once in Jersey City) or getting rear ended while driving (twice in HNL.)  I’m not saying I’m not scared but our pockets are not as deep as Chase or Ebay, meaning, as an individual, you’re an unknown and no one has any particular interest in you.

By the way, if any of the facts of my story are wrong, I’m certain Jeremiah will find and correct.  I doubt his fists will do the talking but most likely his fingers will commit the terror.

You can see the story here.

 

I hear that train a commin’…its rollin’ ’round the bend

I hear that train a commin'...its rollin' 'round the bend

This past September, Hyphen Magazine, an Asian-American publication out of California, called me out of the blue and asked me to do a portrait of an ex con who was on Oahu.  The story focused on Native Hawaiians who were incarcerated and sent off-Island to serve their sentences due to State budget matters.  The ex con was one of the first Native Hawaiians to be shipped off in the late 1970s.  After finding out how much they actually wanted to pay, I turned them down stating it was way too much work for what they expected.  The photo editor, Damien Maloney, who believed I would be the best candidate to capture this unique portrait, then told me the story of Delbert Wakinekona and I was sold.

Its not everyday you get to spend time with a man who broke out of Folsom Prison, the jail made famous by the man in black, Johnny Cash.

According to a legal record found on the web, in 1970, Wakinekona and a partner entered a local store to buy sashimi when the outing turned deadly as the shop owners were robbed and beaten with one later dying of his injuries.   Wakinekona and his partner were “indicted for the crimes of first degree murder, first degree robbery (two counts) and aggravated assault.”  Although he claims he was not part of the attempted robbery and/or the beating was unintentional, Wakinekona was given a life sentence for the murder.  Wakinekona felt he was framed by the others testimony and  flawed court system worked against him.  He tried unsuccessfully to fight his conviction but lost.

After serving time in jail, and if I’m not mistaken, breaking out of the Halawa Correctional Center, Wakinekona was found to be a troublemaker and was sent off-Island to the mainland to serve the rest of his sentence.  Wakinekona was part of the first wave of Hawaiian shipped off to the mainland thus breaking his family and cultural ties to Hawaii.  He sued to remain in Hawaii, even having his case argued in the US Supreme Court, but eventually lost his case.

And I ain’t seen the sunshine,
Since, I don’t know when

So as I drove out to Waianae to meet Delbert Wakinekona and Lilian Harwood, his new wife who helped him get out of prison on a compassionate release due to Delbert’s declining health, I filled with dread and anticipation of dealing with a man who might be maladjusted to the outside world.  But the few hours I spent with ex-con Delbert had me understand not just what life is like inside prison but understood was prison does to a man.  I make no excuses for the crimes Delbert supposedly committed.  He was no angel.  However time does change people and injustice can make a person very bitter.

Delbert, who looks give him the appearance of a weathered Santa Claus, greeted me with a smile but his demeanor made me realize he was a tiger.  He looked through me, intimidated me, and outplayed me instantly.  I immediately knew I was dealing with someone who understood the nature of man and survival.  Delbert lived within a silent world where life and death were separated by a glance, a sudden mood change, a split decision.  There was no trust, no basis of friendship or loyalty in his mannerism.  He was dangerous.  But dangerous as a means of survival.

We began to chat, talk and getting to know each other.  I felt every move I made was watched and anticipated.  Like a wild dog, any movements towards him might have resulted in a snap, growl or worse.  I could sense he struggled with PTSD as he had been in jail for most of his life.  The outside world was different.  He had no constraints yet knew no other way.

I’m stuck in Folsom Prison,
And time keeps draggin’ on,

We talked about his case.  He asked about my ethnicity.  I told him I was Hispanic and he relished time time spent with Mexican Americans in Folsom Prison.  He told me once he was shipped off Hawaii, he entered a world in the late 70’s early 80’s where Hawaiians were only known through Elvis and aloha shirts.  Hawaiians were virtually unknown on the mainland and invisible in prisons.  He was neither white or black so the only people he could visually associate with were the Hispanics.  In his first encounter with Hispanics in jail, they began to talk Spanish which he couldn’t understand.  The Mexicans, finding his disrespect intriguing, demanded to know who or what he was.  He told them he was Hawaiian and quickly the Hispanics found humor in calling him a pina, or pineapple in Spanish.  According to Delbert, this slight was more sexual in nature and he quickly had to establish he was no “fruit” and quickly gained the respect of the Hispanics for his bold stance.  Delbert was then referred to as Hawaiiano which he claims with pride.

He talked about his case, his life, his breakout of several jails including Folsom, and life being outside.  He talked about some of the more infamous inmates he knew at Folsom including Charles Manson and others.  He talked of legal battles with prison wardens, judges, and prison itself.  He talked of life on the lam and shining the light on Native Hawaiian struggle as they are sent off Island.  He mentioned the correspondence from other infamous prisoners he met along the way.  Delbert was a walking history book of American crime figures and prisons.

But that train keeps a-rollin’,
On down to San Antone

As I finally felt he trusted me enough to pose, we went down to the beach near Yokohama Bay at sunset and I was able to snap some haunting images of this man who some might feel he still belongs in prison for the crimes he committed.  It wasn’t hard to have him give me that prison stare as it seemed natural to him.  I never posed him pretentiously or expected him to show me some deep emotion.  I wanted to capture him like the man I saw in front of me.

Delbert Wakinekona

At first he work a dark blue t-shirt with  some type of fishing logo and I really wanted it to come off.  I quickly realized his body was covered in “jail-house tats” and Delbert was more than willing to show me his history told on the folds of his now old skin.  He had the names of his children, Hawaiian folklore icons, dragons, roses, and a half goat man hugging a naked woman.  His crude tattoos told a story that no hipster skin could ever begin to tell.  These were the stories of a man whose life turn a turn for the worst on a faraway night back in 1970.

Across his now flabby belly were the words “Hawaii No Ka Oi’,” or simply, “Hawaii…the best.”

Aside from the convicted murderer who stood in front of my lens, I found Delbert to be a tiger, but an older tiger who still had his teeth but losing his bite.  He was granted a compassionate release from jail as he is currently suffering from advanced liver cancer.  Whether a man like this deserves to be out of prison is up to debate but with cancer quickly advancing, he might not be around long enough to fight that battle.

At the end, Delbert was grateful for the attention and kindness I gave him and gave me a bear hug that clearly wasn’t toothless.  It was kind and tender but quickly felt the power of man who survived prison life.  I learned I wasn’t meant for prison but a young Delbert probably thought the same thing.  We all have tigers inside of us, its just odd we have to be incarcerated to find it.

When I hear that whistle blowin’,
I hang my head and cry.