I hear that train a commin’…its rollin’ ’round the bend

I hear that train a commin'...its rollin' 'round the bend

This past September, Hyphen Magazine, an Asian-American publication out of California, called me out of the blue and asked me to do a portrait of an ex con who was on Oahu.  The story focused on Native Hawaiians who were incarcerated and sent off-Island to serve their sentences due to State budget matters.  The ex con was one of the first Native Hawaiians to be shipped off in the late 1970s.  After finding out how much they actually wanted to pay, I turned them down stating it was way too much work for what they expected.  The photo editor, Damien Maloney, who believed I would be the best candidate to capture this unique portrait, then told me the story of Delbert Wakinekona and I was sold.

Its not everyday you get to spend time with a man who broke out of Folsom Prison, the jail made famous by the man in black, Johnny Cash.

According to a legal record found on the web, in 1970, Wakinekona and a partner entered a local store to buy sashimi when the outing turned deadly as the shop owners were robbed and beaten with one later dying of his injuries.   Wakinekona and his partner were “indicted for the crimes of first degree murder, first degree robbery (two counts) and aggravated assault.”  Although he claims he was not part of the attempted robbery and/or the beating was unintentional, Wakinekona was given a life sentence for the murder.  Wakinekona felt he was framed by the others testimony and  flawed court system worked against him.  He tried unsuccessfully to fight his conviction but lost.

After serving time in jail, and if I’m not mistaken, breaking out of the Halawa Correctional Center, Wakinekona was found to be a troublemaker and was sent off-Island to the mainland to serve the rest of his sentence.  Wakinekona was part of the first wave of Hawaiian shipped off to the mainland thus breaking his family and cultural ties to Hawaii.  He sued to remain in Hawaii, even having his case argued in the US Supreme Court, but eventually lost his case.

And I ain’t seen the sunshine,
Since, I don’t know when

So as I drove out to Waianae to meet Delbert Wakinekona and Lilian Harwood, his new wife who helped him get out of prison on a compassionate release due to Delbert’s declining health, I filled with dread and anticipation of dealing with a man who might be maladjusted to the outside world.  But the few hours I spent with ex-con Delbert had me understand not just what life is like inside prison but understood was prison does to a man.  I make no excuses for the crimes Delbert supposedly committed.  He was no angel.  However time does change people and injustice can make a person very bitter.

Delbert, who looks give him the appearance of a weathered Santa Claus, greeted me with a smile but his demeanor made me realize he was a tiger.  He looked through me, intimidated me, and outplayed me instantly.  I immediately knew I was dealing with someone who understood the nature of man and survival.  Delbert lived within a silent world where life and death were separated by a glance, a sudden mood change, a split decision.  There was no trust, no basis of friendship or loyalty in his mannerism.  He was dangerous.  But dangerous as a means of survival.

We began to chat, talk and getting to know each other.  I felt every move I made was watched and anticipated.  Like a wild dog, any movements towards him might have resulted in a snap, growl or worse.  I could sense he struggled with PTSD as he had been in jail for most of his life.  The outside world was different.  He had no constraints yet knew no other way.

I’m stuck in Folsom Prison,
And time keeps draggin’ on,

We talked about his case.  He asked about my ethnicity.  I told him I was Hispanic and he relished time time spent with Mexican Americans in Folsom Prison.  He told me once he was shipped off Hawaii, he entered a world in the late 70’s early 80’s where Hawaiians were only known through Elvis and aloha shirts.  Hawaiians were virtually unknown on the mainland and invisible in prisons.  He was neither white or black so the only people he could visually associate with were the Hispanics.  In his first encounter with Hispanics in jail, they began to talk Spanish which he couldn’t understand.  The Mexicans, finding his disrespect intriguing, demanded to know who or what he was.  He told them he was Hawaiian and quickly the Hispanics found humor in calling him a pina, or pineapple in Spanish.  According to Delbert, this slight was more sexual in nature and he quickly had to establish he was no “fruit” and quickly gained the respect of the Hispanics for his bold stance.  Delbert was then referred to as Hawaiiano which he claims with pride.

He talked about his case, his life, his breakout of several jails including Folsom, and life being outside.  He talked about some of the more infamous inmates he knew at Folsom including Charles Manson and others.  He talked of legal battles with prison wardens, judges, and prison itself.  He talked of life on the lam and shining the light on Native Hawaiian struggle as they are sent off Island.  He mentioned the correspondence from other infamous prisoners he met along the way.  Delbert was a walking history book of American crime figures and prisons.

But that train keeps a-rollin’,
On down to San Antone

As I finally felt he trusted me enough to pose, we went down to the beach near Yokohama Bay at sunset and I was able to snap some haunting images of this man who some might feel he still belongs in prison for the crimes he committed.  It wasn’t hard to have him give me that prison stare as it seemed natural to him.  I never posed him pretentiously or expected him to show me some deep emotion.  I wanted to capture him like the man I saw in front of me.

Delbert Wakinekona

At first he work a dark blue t-shirt with  some type of fishing logo and I really wanted it to come off.  I quickly realized his body was covered in “jail-house tats” and Delbert was more than willing to show me his history told on the folds of his now old skin.  He had the names of his children, Hawaiian folklore icons, dragons, roses, and a half goat man hugging a naked woman.  His crude tattoos told a story that no hipster skin could ever begin to tell.  These were the stories of a man whose life turn a turn for the worst on a faraway night back in 1970.

Across his now flabby belly were the words “Hawaii No Ka Oi’,” or simply, “Hawaii…the best.”

Aside from the convicted murderer who stood in front of my lens, I found Delbert to be a tiger, but an older tiger who still had his teeth but losing his bite.  He was granted a compassionate release from jail as he is currently suffering from advanced liver cancer.  Whether a man like this deserves to be out of prison is up to debate but with cancer quickly advancing, he might not be around long enough to fight that battle.

At the end, Delbert was grateful for the attention and kindness I gave him and gave me a bear hug that clearly wasn’t toothless.  It was kind and tender but quickly felt the power of man who survived prison life.  I learned I wasn’t meant for prison but a young Delbert probably thought the same thing.  We all have tigers inside of us, its just odd we have to be incarcerated to find it.

When I hear that whistle blowin’,
I hang my head and cry.

 

HAWAII FIVE (MARC)0!!!!!

HAWAII FIVE (MARC)0!!!!!

Yes the secret is OUT.  I’m going to be on this week’s episode of the new HAWAII FIVE O!!!!!

I actually pulled in by the local coordinator, Angie, to coordinate a “beach photo shoot” as the episode was about a famous fashion photographer killed while on assignment in Hawaii.

Here is the synopsis of the show:   HAWAII FIVE-0 “Ho’ ohuli Na’ au” Season 1 Episode 22 – Five-0 focuses on several key suspects when world-renowned photographer Renny Sinclair is murdered while on assignment in Hawaii shooting the annual swimsuit edition of a top sports magazine, on HAWAII FIVE-0, Monday, May 2 (10:00-11:00 PM, ET/PT) on the CBS Television Network.

I was tasked to coordinate all photographic lighting and grip equipment for “made for TV photo shoot.”  Production relied on my skills to make it look believable as well as functional as I also had to assist Hawaii Five O director Brad Turner (Alias, Smallville, 24, and many others) during his real photo shoot.

Brad wanted to try his hand at actually taking still photos and the production again relied on my skill to make sure Brad’s photo shoots were perfect.  I sadly was not hired to push a button but all the work put in definitely gave the imagery my signature.  Brad did a great job and the images we shot on the beach and inside a studio were phenomenal.  Really nice work and, I must say, fantastic lighting.

But the best part of this job was actually playing a photo assistant on TV!  With all the hard work put in, production decided that they couldn’t rely on an extra to act like a real photographer/photo assistant so they had me be the on-screen assistant to the actor.  Sadly, no lines.  (Damn…I could hear myself screaming CARRY YOUR OWN *&^%! LUGGAGE, NATHANIEL!  And if any of you photographers I worked back in NYC and abroad read this, just substitute your name and your demands, you ^%#$!!!!)

And the actor, no less, was RICK SPRINGFIELD.  Yes, Jessie’s Girl, yes General Hospital, yes mega 80’s great.  How fun. Yes only being a young lad back in 1981 when Jessie’s Girl became the #1 single, I sremember the song as a kid and more so now due to the recent 80’s revival and subsequent playing of that song on lite rock radio and being a staple on classic 80’s music cds.  I found myself recalling lyrics throughout the long waits between filming to fill the void.

Where can I find a woman like that

The episode’s set was out on the North Shore and filmed for three days.  The early call times had us out in the chilly Hawaiian dawn setting up the photographic lights for the show.  For the first part of the job, my task was to dress a beach setting creating the feel of a real magazine photo shoot in Hawaii.  The directors wanted more flash than what I would call functionality but the key phrase was the “bigger, the flashier, the better.”  I set up my Profoto 7Bs and one Profoto 7A pack, an Elinchrome Octabank, a few umbrellas, and used several California Sun Bounce reflectors.  All the lights were synced to the set camera Springfield, who plays famed photographer Renny Sinclair, to fire when he faked his pictures.

I was surprised to also find that I actually had to coach Springfield in the art of photography.  He had very little experience knowing how to act like a professional so I coached him on how to properly hold a large DLSR camera, how focus and zoom in/out with the lens, how to properly stand when taking the pictures, and even what dialogue to use as he interacted with the actress Serinda Swan, who played the bikini wearing fashion model.  With the dialogue, I had to channel my inner Austin Powers and gave Springfield such key phrases as “right in the lens, baby” and “give it to me, baby” and other over-the-top phrases that make for good TV.  I kept quiet but I really wanted to teach him how to be a super fashion ass but it never came to be.  I did ask him if he was an ass in the show but he thought I called him an ass.  Funny.

During the filming,  I basically just held a Profoto Ring Flash above his head during the scene and acted as if I knew what I was doing.  I think I frowned most of the time feigning super interest in the lighting, exposure, etc…I had no dialogue and was loutishly dressed by wardrobe in a loud Hawaiian printed shirt along with a black muscle shirt.  I felt more LA than HNL, but I figured people would be looking at Springfield and not me.

Rick was sort of a cool dude.  As I’ve worked and photographed other celebrities, its really no big deal to be around people with fame.  We chattered about this and that, the models tiny bikinis and the likes.   He actually joked around with me as he thought I was surely just an extra but was surprised to see me actually taking test shots of him and testing the lights in several instances.  I think most of the crew were surprised to see that extra jump out and work grip and lighting.

With Brad’s photo shoots, we shot on the beach and inside a studio.  The show needed several still shots that would be published in a book of Renny Sinclair’s photographic work.  The book’s photographs held clues leading the detectives to Renny’s murderer.  I, along with several union assistants, set up several 9′ seamless backgrounds, numerous lights, and allowed the director snap fashion photographs of several of the actresses on the show including famed model and actress Angela Lindvall.  Brad actually threw me the camera in one of his shots to let me photograph Angela as he knew I could make her shine a bit more than he.  I can’t say any of the images they used for the show/book are mine but if you are keen you might spot a bit of my signature in the show as well.

On a side note, its no secret Renny is killed in the show as CBS released the show synopsis.  Without watching the show, can any of you 80’s kids guess who kills him?